 Jethro Tull
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Artist rating: 83.89 % (ranking: not set)
Highest rating: 83.98 % (1982)
Most recent trend: 44.85 % (1987)
Highest trend: 86.82 % (1972)
Works
Tracks (A-Ö)
Statistics
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DataFormed: 1968-02
Formed 56 years ago
External links | Genres | 
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MembersMick Abrahams, Ian Anderson, Barriemore Barlow, Martin Barre, Clive Bunker, Gerry Conway, Glenn Cornick✝, Mark Craney✝, John Evan, John Glascock✝, Jeffrey Hammond, David Palmer, Dave Pegg, Peter Vettese |
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50.05 %
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48.28 %
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69.50 %
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71.74 %
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Minstrel in the Gallery
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92.69 %
(2013-04-16) |
Date released: 1975-09-05 Type: studio In collection: CD Average track length: 06:28 Average track rating:  |
Ranking
Jethro Tull:
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16
Year (1975):
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66
Decade (1970's):
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597
Overall:
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2711 |
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Tracks
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1 lyrics  08:17 | 2 lyrics  04:20 | 3 lyrics 06:53 | 4 lyrics  03:46 | 5 lyrics 04:39 | 6
Baker Street Muse I. Pig-Me and the Whore II. Nice Little Tune III. Crash Barrier Waltzer IV. Mother England Reverie lyrics 16:42 | 7 lyrics 00:38 | Total time: 45:15 |
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Credits
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Band members
Session works
Producers
Engineers
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Lyrics
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Minstrel in the Gallery 08:17 |
The minstrel in the gallery looked down upon the smiling faces.
He met the gazes - observed the spaces between the old men's cackle.
He brewed a song of love and hatred - oblique suggestions - and he waited.
He polarized the pumpkin-eaters - static-humming
panel-beaters - freshly day-glow'd factory cheaters
(salaried and collar-scrubbing).
He titillated men-of-action - belly warming, hands
still rubbing on the parts they never mention.
He pacified the nappy-suffering, infant-bleating
one-line jokers - T.V. documentary makers (overfed and undertakers).
Sunday paper backgammon players - family-scarred and women-haters.
Then he called the band down to the stage and he
looked at all the friends he'd made.
The minstrel in the gallery looked down on the rabbit-run.
And threw away his looking-glass - saw his face in everyone. |
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Cold Wind to Valhalla 04:20 |
And ride with us young bonny lass - with the angels of the night.
Crack wind clatter - flesh rein bite on an out-size unicorn.
Rough-shod winging sky blue flight on a cold wind to Valhalla.
And join with us please - Valkyrie maidens cry above the cold wind to Valhalla.
Break fast with the gods. Night angels serve with ice-bound majesty.
Frozen flaking fish raw nerve - in a cup of silver liquid fire.
Moon jet brave beam split ceiling swerve and light the old Valhalla.
Come join with us please - Valkyrie maidens cry above the cold wind to Valhalla.
The heroes rest upon the sighs of Thor's trusty hand maidens.
Midnight lonely whisper cries, "We're getting a bit short on heroes lately."
Sword snap fright white pale goodbyes in the desolation of Valhalla.
And join with us please - Valkyrie maidens ride empty-handed on the cold wind to Valhalla. |
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Black Satin Dancer 06:53 |
Come, let me play with you, black satin dancer.
In all your giving, given is the answer.
Tearing life from limb and looking sweeter than the
brightest flower in my garden.
Begging your pardon - shedding right unreason.
Over sensation fly the fleeting seasons.
Thin wind whispering on broken mandolin.
Bending the minutes - the hours ever turning on that
old gold story of mercy.
Desperate breathing. Tongue nipple-teasing.
Your fast river flowing - your northern fire fed.
Come, black satin dancer, come softly to bed. |
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Requiem 03:46 |
Well, I saw a bird today - flying from a bush and the wind blew it away.
And the black-eyed mother sun scorched the butterfly at play - velvet veined.
I saw it burn.
With a wintry storm-blown sigh, a silver cloud blew right on by.
And, taking in the morning,
I sang - O Requiem.
Well, my lady told me, "Stay."
I looked aside and walked away along the Strand.
But I didn't say a word, as the train time-table blurred
close behind the taxi stand.
Saw her face in the tear-drop black cab window.
Fading into the traffic; watched her go.
And taking in the morning, heard myself singing -
O Requiem.
Here I go again.
It's the same old story.
Well, I saw a bird today - I looked aside and walked
away along the Strand. |
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One White Duck /0¹º = Nothing at All 04:39 |
There's a haze on the skyline, to wish me on my way.
And there's a note on the telephone - some roses on a tray.
And the motorway's stretching right out to us all,
as I pull on my old wings - one white duck on your wall.
Isn't it just too damn real?
I'll catch a ride on your violin - strung upon your bow.
And I'll float on your melody - sing your chorus soft and low.
There's a picture-view postcard to say that I called.
You can see from the fireplace, one white duck on your wall.
Isn't it just too damn real?
So fly away Peter and fly away Paul -
From the finger-tip ledge of contentment.
The long restless rustle of high-heeled boots calls.
And I'm probably bound to deceive you after all.
Something must be wrong with me and my brain -
If I'm so patently unrewarding.
But my dreams are for dreaming and best left that way -
And my zero to your power of ten equals nothing at all.
There's no double-lock defense; there's no chain on my door.
I'm available for consultation,
But remember your way in is also my way out, and
Love's four-letter word is no compensation.
Well, I'm the Black Ace dog-handler: I'm a waiter on skates -
So don't you jump to your foreskin conclusion.
Because I'm up to my deaf ears in cold breakfast trays -
To be cleared before I can dine on your sweet Sunday lunch confusion. |
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Baker Street Muse 16:42 |
Baker Street Muse
Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel.
In the underpass, the blind man stands.
With cold flute hands.
Symphony match-seller, breath out of time.
You can call me on another line.
Indian restaurants that curry my brain.
Newspaper warriors changing the names
They advertise from the station stand.
With cold print hands.
Symphony word-player, I'll be your headline.
If you catch me another time.
Didn't make her - with my Baker Street Ruse.
Couldn't shake her - with my Baker Street Bruise.
Like to take her - but I'm just a Baker Street Muse.
Ale-spew, puddle-brew - boys, throw it up clean.
Coke and Bacardi colours them green.
From the typing pool goes the mini-skirted princess
with great finesse.
Fertile earth-mother, your burial mound is fifty feet
down in the Baker Street underground. (What the hell!)
Walking down the gutter thinking,
"How the hell am I today?"
Well, I didn't really ask you but thanks all the same.
Pig-Me and the Whore
"Big bottled Fraulein, put your weight on me," said the
pig-me to the whore,
desperate for more in his assault upon the mountain.
Little man, his youth a fountain.
Overdrafted and still counting.
Vernacular, verbose; an attempt at getting close to
where he came from.
In the doorway of the stars, between Blandford Street
and Mars;
Proposition, deal. Flying button feel. Testicle testing.
Wallet ever-bulging. Dressed to the left, divulging
the wrinkles of his years.
Wedding-bell induced fears.
Shedding bell-end tears in the pocket of her resistance.
International assistance flowing generous and full
to his never-ready tool.
Pulls his eyes over her wool.
And he shudders as he comes.
And my rudder slowly turns me into the Marylebone
Road.
Crash-Barrier Waltzer
And here slip I - dragging one foot in the gutter -
in the midnight echo of the shop that sells cheap
radios.
And there sits she - no bed, no bread, no butter -
on a double yellow line - where she can park anytime.
Old Lady Grey; crash-barrier waltzer -
some only son's mother. Baker Street casualty.
Oh, Mr. Policeman - blue shirt ballet master.
Feet in sticking plaster -
move the old lady on.
Strange pas-de-deux -
his Romeo to her Juliet.
Her sleeping draught, his poisoned regret.
No drunken bums allowed to sleep here in the
crowded emptiness.
Oh officer, let me send her to a cheap hotel -
I'll pay the bill and make her well - like hell you
bloody will!
No do-good over kill. We must teach them
to be still more independent.
Mother England Reverie
I have no time for Time Magazine or Rolling Stone.
I have no wish for wishing wells or wishing bones.
I have no house in the country I have no motor car.
And if you think I'm joking, then I'm just a one-line
joker in a public bar.
And it seems there's no-body left for tennis; and I'm
a one-band-man.
And I want no Top Twenty funeral or a hundred grand.
There was a little boy stood on a burning log,
rubbing his hands with glee. He said, "Oh Mother England,
did you light my smile; or did you light
this fire under me?
One day I'll be a minstrel in the gallery.
And paint you a picture of the queen.
And if sometimes I sing to a cynical degree -
it's just the nonsense that it seems."
So I drift down through the Baker Street valley,
in my steep-sided un-reality.
And when all is said and all is done - I couldn't wish
for a better one.
It's a real-life ripe dead certainty -
that I'm just a Baker Street Muse.
Talking to the gutter-stinking, winking in the same
old way.
I tried to catch my eye but I looked the other way.
Indian restaurants that curry my brain -
newspaper warriors changing the names they
advertise from the station stand.
Circumcised with cold print hands.
Windy bus-stop. Click. Shop-window. Heel.
Shady gentleman. Fly-button. Feel.
In the underpass, the blind man stands.
With cold flute hands.
Symphony match-seller, breath out of time -
you can call me on another line.
Didn't make her - with my Baker Street Ruse.
Couldn't shake her - with my Baker Street Bruise.
Like to take her - but I'm just a Baker Street Muse.
(I can't get out!) |
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Grace 00:38 |
Hello sun.
Hello bird.
Hello my lady.
Hello breakfast.
May I buy you again tomorrow? |
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